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Herzog Anton Ulrich-Museum (Braunschweig) --- roofkunst --- Wereldoorlog II --- herkomst --- nationaal-socialisme --- kunsthandel --- Hahn, Th. Julius --- Lange, Hans W. --- Begas, Carl Joseph --- Troyen, Rombout van --- Wagenbauer, Maximilian Joseph --- Thoma, Hans --- Corinth, Lovis --- Jacob, Max --- 1942 - 1943 --- 20ste eeuw --- Duitsland --- art market --- Herzog Anton Ulrich-Museum [Braunschweig] --- Art --- Herzog Anton Ulrich-Museum [Brunswick] --- collecting, Germany --- Herzog Anton Ulrich-Museum (Braunschweig). --- roofkunst. --- Wereldoorlog II. --- herkomst. --- nationaal-socialisme. --- kunsthandel. --- Hahn, Th. Julius. --- Begas, Carl Joseph. --- Troyen, Rombout van. --- Wagenbauer, Maximilian Joseph. --- Thoma, Hans. --- Corinth, Lovis. --- Jacob, Max. --- 1942 - 1943. --- 20ste eeuw. --- Duitsland.

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"This book documents the story of the Allies' Central Collecting Point (CCP) set up in the former Nazi Party headquarters at Königsplatz in Munich, where confiscated works of art were transported to be identified and sorted out for restitution in the years from 1945 to 1949"--Provided by publisher. At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of thousands of artwork, looted by the Nazis in the countries they had occupied. With the help of the US Army, massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. This fascinating history documents the story of the Allies’ Central Collecting Point (CCP), set up in the former Nazi Party headquarters in Munich, where the confiscated works were transported to be identified for restitution. Iris Lauterbach presents her archival research on the events, with meticulous attention to the official systems, frameworks, and bureaucratic enterprise of the Munich CCPin the years from 1945 to 1949. She uncovers the stories of the people who worked there at a time of lingering political suspicions; narrates the research, conservation, and restitution process; and investigates how the works of art were returned to their owners

World War, 1939-1945 --- Cultural property --- Art thefts --- Confiscations and contributions. --- Repatriation --- History --- Central Collecting Point (Munich, Germany) --- History. --- Kunst --- Geschiedenis van Europa --- looting --- restitutie --- Tweede Wereldoorlog --- Central Art Collecting Point [München] --- anno 1940-1949 --- Duitsland --- Criminologie. Victimologie --- nationaal socialisme --- Criminology. Victimology --- Art --- History of Europe --- National Socialism --- restitution --- Germany --- Art and the war. --- looting [social issue] --- kunstroof --- oorlogsbuit --- repatriëring van kunst